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CURRENT PROGRAMME
In the theatre
  • A Slow Air
  • Classical Music Series 2012
  • Francesca Martinez 'What The **** Is Normal?!'
  • Mary Shelley
  • Dead Sea Midnight Runners: Different Klez
  • Lovers Rock Monologues
  • Jazz at Cafe Society
  • Mark Thomas: BRAVO FIGARO!

In the cinema
  • Marley
  • Café de Flore
  • Surviving Progress + Panel Discussion
  • The Raid
  • Salmon Fishing In The Yemen
  • Free Men
  • Monsieur Lazhar
  • Hidden Colors
  • DocHouse Thursdays
    • Surviving Progress + Panel Discussion
    • Desert Riders

In the gallery
  • Young Artists 2012
  • Sue Whitmore: thirty years on a tricycle

Special events
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    Better This World

    Part of DocHouse Thursdays

    USA / 2011 / 98 mins / Dir: Katie Galloway, Kelly Duane de la Vega
     
    Better This World plays like a slick thriller with a shocking twist in its tale. This acclaimed film won Best Documentary at the Gotham Independent Film Awards, San Francisco Film Festival and the Sarasota Film Festival 2011.

    Following the screening will be a Q&A with Brian Hill with BAFTA winning director Brian Hill. 

    Boyhood friends David McKay and Bradley Crowder’s interest in the world of activism leads them to radical militant Brandon Darby. Six months later, the ‘Texas Two’ are facing terrorism charges for planning to petrol bomb a Republican rally – but the boys claim FBI entrapment in a case that goes to the heart of the ‘war on terror’ and its impact on civil liberties and political descent in in post-9/11 America.

    The screening of the film will be followed by a Q&A with Brian Hill. Brian recently directed ‘Confessions of an Undercover Cop’, a documentary that offered exclusive access to Mark Kennedy, Britain’s most controversial undercover police officer who for seven years was an environmental campaigner and militant activist who broke into power stations, learned how to make bombs, infiltrated groups hell-bent on attacking major corporations and stood arm-in-arm with anti-capitalist anarchists.
     
    ‘Riveting…a chilling depiction of loyalty, naiveté, political zealotry and the post-9/11 security state’ The Washington Post

     

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