Articles for the ‘Tricycle Young Company’ Category


Tricycle

Eight questions for Juliana Ayeni-Stevens

Friday, February 3rd, 2017 by Tricycle

Juliana Ayeni-Stevens is one of our Trainee Producers on our ambitious Takeover2017 project, Mapping Brent.

Trainee Producer Juliana Ayeni-Stevens

What attracted you to Mapping Brent?

I’ve always had a great interest in theatre and I knew someone who happened to have taken part in the Takeover in 2015. I didn’t really know much about the Takeover but I knew I wanted to produce. I spent weeks keeping an eye on Tricycle’s website and the opportunity just came up to apply and so I did. Initially I was not aware that it would be a project bringing the community of Brent together, until the interview stage and when given a brief overview I knew that I wanted to do it.

 

What piece of theatre has made a big impact on your life?

Oh goodness this is hard question because I love the theatre but if I could pick one piece of theatre that has made a big impact on my life it would be Cuttin’ It at the Young Vic… it really touched me and there was a moment where a friend who I went to see the performance with had to ask me midway through the performance if I was okay. I had a moment of standstill and reflection and that’s what I believe theatre should do for you.

 

If you could work with one actor, director, writer or other creative, who would you choose and why?

Ooooo wow…..now that is a hard question if I had to pick one director, one writer and actor it would be;
Writer – debbie tucker green
Director – Yaël Farber
Actor – Adelayo Adebayo

I picked them because firstly debbie tucker green as a writer is amazing, her style of writing is special for me and allows you as the audience to really think. Adelayo is a young female actor who I’d recently seen at the Young Vic in Cuttin’ It and her performance blew my mind. And Yaël Farber as director because of Les Blancs [at the National Theatre].

 

Where would you most like to visit on holiday?

Brazil and St. Lucia. I always been drawn to Brazil it holds a special connection to my life, I’m not exactly sure what it is but I feel spiritually I’m connected to there. And St. Lucia because I just love it… I’ve been there twice and it’s beautiful.

 

If you could only eat one meal for the rest of your life, what would you choose?

KFC hot wings! Oh my gosh they are de BEST! There was one week where I went to KFC every night to get them hot wings!

 

What’s your worst habit?

My worst habit is that I overthink everything from the small situation to the off the scale dramas.

 

If you could only keep five possessions, what would they be?

  1. My memory box
  2. A book
  3. Notebook & Pen
  4. My Frank Ocean Albums
  5. My iPad

 

What achievement are you most proud of in your life so far?

Graduating uni. I say that because when I was in school I was told I wouldn’t get far in the educational system and far in life by my form teacher. I left school with just 6 grade Cs but to the teachers that wasn’t good enough. But I found out that the same teacher who told me I wouldn’t get far in life was extremely surprised that I was in university. It just goes to show whatever you set your mind to you can achieve whatever it is plus prove those doubters wrong!

Find out more about Mapping Brent and Takeover 2017, including how you can get involved


Tricycle

Seven Questions for Biba Osman

Friday, November 18th, 2016 by Tricycle

Biba Osman is one of seven Trainee Producers on our ambitious Creative Learning project, Mapping Brent.

In the first of a new series, we caught up with Biba to find out a bit about her interests.

 

Trainee Producer Biba OsmanWhat attracted you to Mapping Brent?

I strongly believe that theatre and the arts can play a vital role in the empowerment and development of young people; particularly those on the ‘margins’ of our society. To be able to produce a celebration that is dedicated to young people’s theatre is an exciting project to be a part of, especially as the project will be taking place in different parts of Brent, outside of mainstream or traditional theatre settings.

Coming from an acting background, a recent drama school graduate who is pursuing my career in producing, the Tricycle have offered me an amazing opportunity to practically learn the vital roles that a producer plays within a community project like Takeover, but also on a wider scale.

 

If you could work with one actor, director, writer or other creative, who would you choose and why?

There are too many to list! But Charles Martin who directed ITV drama Marcella would be amazing. It was a captivating thriller and I would love to understand how he pieced the show together and what the thought process was behind it.

 

Where would you most like to visit on holiday?

I would love to visit Santorini in Greece. The views are just perfect, and somewhere I would go to relax!

 

If you could only eat one meal for the rest of your life, what would you choose?

Pizza, please!

 

What’s your worst habit?

I think that my worst habit has to be over-thinking.

 

What’s your favourite place in Brent?

Kilburn High Road – it’s always busy and there is always something going on day or night.

 

What achievement are you most proud of in your life so far?

Graduating from the Royal Central School of Speech & Drama this summer. Going back to education as an older student wasn’t easy but I managed to persevere with it and I believe that it is one of the best decisions that I have made as it has opened doors and opportunities for me in the early stages of my career. I have also learnt a lot about myself in the process and where I want to be in my life.

Find out more about Mapping Brent and Takeover 2017, including how you can get involved

 


Tricycle

Flicking the Switch – meet Francis from TriCorp

Thursday, May 26th, 2016 by Tricycle

That’s right, you heard correctly – Tricycle Young Company are back! Following a sell-out run earlier in the year as part of Takeover 2016: Paradise, Switch is making a triumphant return to the Tricycle. So if you missed out on you chance to ‘flick the switch’ back in March, get on it and book now.

Tricycle Young Company have been working hard to develop and re-vamp the show ready for four performances on 19th and 26th June. In the first of our flicking the switch blog series, we meet Young Company member Nicholas Marrast-Lewis who talks to Heather Agyepong about working for the mysterious TriCorp company…

This is also the LAST Young Company performance in the theatre before we close for an exciting period of renovations – read more about our Capital Project here.

Switch is an immersive theatre experience that takes place across the whole of the Tricycle building. To book, click here.


Tricycle

Fiesty & funny – Tricycle Young Company

Tuesday, December 30th, 2014 by Tricycle

KP2 small

I’ve just joined the Tricycle as the new Young Company Director. Randomly last year I came to the Takeover Festival and it was magical. There was a buzz created by so many young people showcasing their work with pride. So when I got the job I was thrilled. Six weeks ago I chucked all my earthly possessions in my car and moved city, house and job from Theatre Royal Plymouth to the Trike. I saw The Kilburn Passion over the summer which was funny and moving and so I know the quality of the work produced by the young people here and I am ridiculously excited about the year ahead.

I’m directing projects with four groups: Press Road Young Company 10-14s, Young Company 11-14s, 15-18s and 19-25s. I’ve spent the first six weeks just getting to know the actors, playing with physicality, text, improvisation and games. The four performances we’re making are going to be very different in style and process – the only thing I can say for certain is that all the groups seem to be headed in quite a political direction. Already some of the stories and themes they’re exploring and bringing into the rehearsal room are quite challenging.

19-25s

The actors are working on a new play by Shamser Sinha. Making a play that represents 21 voices is quite a challenge. I’ve worked with writers before on developing scripts with young people and each process is unique to the writer and actors. As a director my job is to facilitate workshops to find out what kinds of ideas the company are interested in telling and from there find useful exercises which help Shamser develop the story, characters and theatricality of the play. The company have done research – brought in music, personal stories, newspaper articles, answered questions and created short scenes in response to them.

15-18s

This group are fascinating. Feisty, funny and inquisitive. Bhav Parmar (Assistant Director) and myself have a blast every week with this lot. We’ve been playing with extracts of scripts; we covered the room with images cut out from magazines and newspapers and off the internet; we’ve made scenes in response to these. We’ve now begun the devising process through the creation of characters. The first week each actor chose a name, a characteristic and then proceeded to answer a questionnaire about from the perspective of the new character. They were then interviewed by three other actors to find out more about this character’s history, family and lifestyle. We’ve discovered how some of these characters relate to each other and authority. (In role as ‘Carol’, a recently graduated youth worker with a social work degree, I was given a certain amount of grief by some of these characters!) We know this play will take place with them trapped in a space overnight, but I don’t want to tell you too much!

11-14s

This group is playful and I wanted to stretch them to try characters outside of their experience and in a range of acting styles. So, we’ve done a lot of work with scripts and how writing comes off the page. We’ve played with extracts from four VERY different styles and stories. A giant baby kidnapped by the government, a class on a school trip convinced their teacher is secretly a terrorist, a little girl never allowed to take any risks, and a silly competition for geniuses where a girl goes undercover to prove to her dad how clever she is. The group then voted to perform Gargantua by Carl Grose (who regularly writes for theatre company Kneehigh). The characters are larger than life and we have the challenge of working out how to stage a giant baby eating various politicians (can we make edible gingerbread puppet politicians?)

Rehearsals kicking into gear for the Takeover...

Rehearsals kicking into gear for the Takeover…

Press Road Young Company

These young actors are competitive! I know this because, despite 10 years of playing ‘Splat’ with teenagers, I have yet to win against this group. We’ve been exploring the story of King Midas (for whom everything he touched turned to gold) and how it relates to contemporary culture with its themes of greed but also asylum. Towards the end of this term the company created characters and set Dempsey (the Assistant Director) and me the challenge of writing short scenes based on their ideas to perform back. I was given a lot of notes on my first draft and they have been teaching me how to incorporate convincing slang into the dialogue. I have much to learn before we start developing a film after Christmas.

(Tricycle Theatre has run drama projects at the Press Road Housing Estate since 2004)

 

Find out more about how you can support the work of the Tricycle by clicking here. Click here for more info on the Takeover.


Tricycle

What’s your #Passion? Angie and Itai

Friday, August 1st, 2014 by Tricycle

Powering on with our series of life’s loves and passions from the Tricycle Young Company as they prepare to open The Kilburn Passion for a second time next week.

Today Young Company members Angie and Itai tell us what makes them tick! What really floats your boat? Cat videos on youtube? A really good steak? Tweet us your passions using #KilburnPassion

For more information and to book for The Kilburn Passion, click here.

 


Tricycle

What’s Your #Passion? Alex and Bolaji

Thursday, July 31st, 2014 by Tricycle

The excitement for next week’s Tricycle Young Company production of The Kilburn Passion is palpable! For what is life without a bit of passion? Tricycle Young Company all share one thing- a lifelong love of the stage. Today Young Company members Alex and Bolaji tell us what keeps them going.

The Kilburn Passion runs from 5 – 9 August, with tickets for under 26’s just £8. Click here for more info.

 

 


Tricycle

What’s your #Passion? Jack and Rob

Tuesday, July 29th, 2014 by Tricycle

With The Kilburn Passion opening here at the Tricycle next week, we’re continuing with our #passion video blogs from members of Tricycle Young Company. What are you passionate about? Tell us on twitter using #KilburnPassion.

Today Young Company members Jack and Rob tell us what they just can’t live without!

 

 

The Kilburn Passion is exploding back onto the Tricycle stage from 5 – 9 August. For more information and to book tickets to The Kilburn Passion click here.